Dead Kennedys

Produktbeschreibung

Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafraâ€Ös withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldnâ€Öt have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafraâ€Ös naked flame.

Dead Kennedysâ€Ö continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native countryâ€Ös foreign policies, effectively serving as anti-ambassadors on their travels.

The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the bandâ€Ös key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical. 

Autoreninfo

Alex Ogg is an author and journalist specializing in music. His work has appeared in newspapers including The Times and The Guardian, numerous magazines, and websites. His books include The Art of Punk (an Independent newspaper book of the year 2012) with Dr. Russ Bestley, Independence Days, No More Heroes, and The Hip Hop Years. He is a regular speaker on TV, radio, and at literary events. He has lectured at several universities and currently edits the academic journal Punk & Post-Punk. He lives in London with his partner and two children.