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How to Write a Damn Good Novel, II

Advanced Techniques for Dramatic Storytelling

von Frey, James N   (Autor)

"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification. How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader-promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves.

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Produktbeschreibung

"Damn good" fiction is dramatic fiction, Frey insists, whether it is by Hemingway or Grisham, Le Carre or Ludlum, Austen or Dickens. Despite their differences, these authors' works share common elements: strong narrative lines, fascinating characters, steadily building conflicts, and satisfying conclusions. Frey's How to Write a Damn Good Novel is one of the most widely used guides ever published for aspiring authors. Here, in How to Write a Damn Good Novel, II, Frey offers powerful advanced techniques to build suspense, create fresher, more interesting characters, and achieve greater reader sympathy, empathy, and identification.

How to Write a Damn Good Novel, II also warns against the pseudo-rules often inflicted upon writers, rules such as "The author must always be invisible" and "You must stick to a single viewpoint in a scene," which cramp the imagination and deaden the narrative. Frey focuses instead on promises that the author makes to the reader-promises about character, narrative voice, story type, and so on, which must be kept if the reader is to be satisfied. This book is rich, instructive, honest, and often tellingly funny about the way writers sometimes fail their readers and themselves. 

Autoreninfo

James N. Frey is one of America's leading creative writing teachers. For over fifteen years, he conducted the popular Open Workshop at the Squaw Valley Community of Writers and has run workshops and lectured at dozens of other schools and conferences, including the Oregon Writers Colony, the Santa Barbara Writers Conference, the Heartland Writers, the University of California Extension novel writing workshop, the California Writers Club conference, and many others, both in America and in Europe. He is the author of nine novels and five widely read creative writing guides; How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, The Key: Writing Damn Good Fiction Using the Power of Myth, How to Write a Damn Good Mystery, and How to Write a Damn Good Thriller. He lives on a sailboat with his wife, Liza. James N. Frey is NOT the author of A MILLION LITTLE PIECES. 

Mehr vom Autor:

Frey, James N

Produktdetails

Medium: Buch
Format: Gebunden
Seiten: 176
Sprache: Englisch
Erschienen: März 1994
Maße: 222 x 145 mm
Gewicht: 375 g
ISBN-10: 0312104782
ISBN-13: 9780312104788

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Einband: Gebunden
Sprache: Englisch
Beilage(n): HC gerader Rücken mit Schutzumschlag

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